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Body Profile | Classical Auditorium |
---|---|
Cutaway | Florentine |
Top | Solid Sitka Spruce |
Top Brace Pattern | Scalloped XX-brace |
Back | Solid Indian Rosewood deep round back |
Sides | Solid Indian Rosewood |
Back Brace Pattern | X-brace |
Fingerboard | Ebony |
Nut Width | 44mm |
Neck | Mahogany |
Head Inlay | Bird |
Tuners | GOTOH/SG381-B20 CR |
Position Inlays | 12F Gentiana |
Scale Length | 652mm |
Strings | Jim Dunlop/DAP1254 |
Nut | Graph Tech/TUSQ |
Saddle | Graph Tech/TUSQ |
Bridge Pins | Graph Tech/TUSQ |
Bridge | Ebony |
Pick-up | B-BAND/A-1M & UST-25R |
Preamplifier | None |
Finish | Gloss |
Color | Natural - NAT |
Case | MHB-3 Hardcase |
Original inlay with characteristic Avalon shell. The artistic and beautiful design symbolizes Morris's handmade quality.
The offset nut is common to all Morris S series guitars. Offsetting all strings to the 6th string side makes it ideal for solo guitar chord work.
Ebony wood with tight grain is used to achieve high quality in both playability and sound. The one-pointed gentian inlay on the 12F stands out and giving off sophisticated impression.
The distinctive wood crafted Rosetta and Florentine cutaway. The pickguard-less design allows for an open sound without disturbing the vibrations of the top veneer.
Asymmetrical design bridge plate made of high-quality ebony material. This design is not only distinctive in appearance, but also takes into consideration the transmission of string vibration.
Deep round-back design emphasizes overtones and gives a rich sound, especially in the lower tonal range. The sides and back are made of carefully selected rosewood.
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